While shooting the wider B&W scenes with the 12-40mm lens, I was also working with a 400mm on my Canon 6D for these tighter shots of the Thunderbirds. This collection was from the practice day, and they put on one of the best performances I've seen in quite some time.
Friday was the practice day at the Jones Beach Airshow not only for the performers, but photographers as well. With the threat of rain bringing dark clouds it wasn't an ideal day for those looking to tan. The moodiness however, was ideal for black and white images. All of these images were captured on the Olympus OMD EM1 with the 12-40mm f2.8. Since it's not a big zoom, I purposely worked to incorporate more of the atmosphere and environment. The theme was "little plane, big sky". This ended up bringing a whole new dimension to the results.
I'll be at Jones Beach most of the weekend, enjoying the Air Show as I do each year. This time, I'm adding the OMD EM1 to my camera bag along with the Canon 6D. This shot of the Geico Skytypers was captured at the "practice day" using the EM1 with the 12-40mm lens. Converted to B&W in LR. I'll have more to say about the performance of this setup along with many more images in the days to come. Check back soon and enjoy the weekend!
Finding patterns in nature is not difficult if you slow down to look at the smaller details. This exercise forces one to look past the bigger picture and really connect with the landscape on a closer level. In this study of a fern I found the break in the pattern to be quite interesting.
It seems we were just making New Years resolutions while discussing ways to make 2015 our strongest creative effort to date. Yet, here we are nearly six months later, and many of us could benefit from a creative pick-me-up. In this new article I discuss five ways to keep your artistic efforts on target for the long haul.
Over on the Alien Skin blog, I have a guest post with findings that may surprise you. After all, we're repeatedly told that more megapixels are necessary for large prints. Take a look for yourself, and break the cycle of the great resolution hoax.
I came across a great building around 30th street that was covered with beautiful clusters of Wisteria flowers hanging from vines. Shot it from a number of angles, but ended up choosing this simpler composition.
Back on the streets, I saw some interesting people just doing their thing. Notice the coordinated sneakers!
Of course not everyone wants to be photographed...
Trees and signs don't mind however. The shot on the left is a high key reflection in a van's windshield. The sign on the right looks to be so old. I hadn't seen one before and wondered if it still worked.
Took one more stroll past the Wisteria tree as it won't likely bloom for too much longer.
Months ago I shot a head to head comparison with my OMD EM10 and a Canon 6D. In that test, the 6D image was clearly sharper, but the lens used on the EM10 was not necessarily known for its quality (17mm f2.8). Many readers on the 43rumors site mentioned the need to shoot it again, but with a better lens. Fast forward to a few months later, and the Olympus 12-40mm f2.8 is now my go-to lens for the mirrorless system. The optical quality of the 12-40 is no secret as it's one of the highest rated options in the micro four-thirds line. What a difference a lens makes, as this time, the results were vastly different. Before digging in to the close up comparisons, I thought it would be helpful to show the full scene for context.
About the Test:
Camera Left: Canon 6D with Canon 17-40mm f4
Camera Right: Olympus OMD EM10 with Olympus 12-40 f2.8*
*I did have a polarizer on the Olympus for this shot. While it does change the color in the sky, and look of the water, it does not benefit the overall sharpness. As such, I don't believe it skews the findings in an unfair way.
Below: Magnified portion of image viewed at 1:1 using XY comparison in Lightroom CC.
- It should be noted that this was not a scientific test as the camera settings were not precisely the same, nor was it done in a studio. They were however, close enough to make it a fair real world comparison. Both were shot hand held with a fast enough shutter to prevent camera shake. Ironically enough, they were taken one year apart, almost to the same day and time.
- Both images were captured as RAW files with no noise reduction or sharpening applied. These were loaded straight into Lightroom CC, and compared with the XY comparison tool using the 1:1 option. These are the screen shots from my Mac.
The first thing that jumped out at me were the corners of the frame. On the Canon image, they are incredibly soft, almost unacceptably so. Meanwhile, as most reviewers have noted, the Olympus is sharp from corner to corner.
From there, I looked at the clarity of the foliage which was blotchy at best on the 6D. Compared to the EM10, they look terrible. Wind was not the issue here, nor was depth of field. In fact, the 6D was set to f10 which is the sweet spot for the 17-40mm with little diffraction. Meanwhile the OMD Em10 was at f4 and considering the DOF equivalent, this means the f4 provided the equivalent depth of field as f8 on a full frame camera.
At this point I started asking myself, how can this be possible!? Based on everything I've read about sensors, it seemed inconceivable that an entry level mirrorless could out-punch a full frame DSLR. Yet, the results clearly speak volumes.
I then looked at the center of the frame, and this is where the images were largely similar. This proves that the technique used to capture the Canon shot was not flawed by technique, but rather optics. It leads me to believe the issue is due to the limitations of the lens towards the outside of the frame. This would be more understandable for a kit lens, but it's an "L" series designed by Canon to meet the needs of professionals. In fairness, it has served me very well as my go-to for landscape shots all over the world in a variety of conditions. Moving forward however, I see its role being greatly diminished.
This research came just in time as I prepare for an expedition around Iceland. I already love the functions and usability of the OMD EM10, but wanted to make absolutely sure it could give me terrific output I need for professional use including stock, magazines, and large prints. This lens is a game changer, and I won't hesitate to use the Olympus over the Canon for these once-in-a-lifetime landscapes.
I welcome your insight into these surprising results. If you'd like to see the actual RAW files, you can download them here.