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Entries in Photography Gear (27)

Tuesday
Dec132011

Christmas Cheer is Not New Gear

 Yes, it's Christmas time in the city, but there is no need to break the bank to improve your photography. The truth is, if you already own a DSLR, you have what you need to start taking great pictures right now. Granted, upgrades can offer helpful features and improved specs, but these won't change what's at the heart of a great photo.

 

 

Photography is about capturing a moment through the lens in a way that expresses your unique vision. Strip away all of the marketing hype, instant rebates, and sales pitch propaganda, and you are left with a light gathering box. While there are only three ways to get light into this device, mastering the process takes a considerable amount of time and practice.

Ansel Adams was a terrific pianist before taking up photography. He often said it was this discipline that carried over to his camera work. Yet, if you read the camera ads that come in the Sunday paper, or watch another famous actor talk about how easy it is to take great shots if you just buy their must-have device, it's not surprising that so many people are searching for the magic shortcut to creating compelling art. As I've said here before, photographs are not created with mouse clicks, nor is knowledge withdrawn from an ATM machine.

Just because it's more expensive, doesn't mean it is superior.  Look at this article which clearly details how a sub $1000 Canon Rebel is outputting better results than the Canon 7D at close to $1500. This is great news for those of us who realize the truth and make our purchases accordingly. You can get much more for your money by doing your research independently, and investing in better lenses, not pointless upgrades. Of course those photographers who always need the latest and greatest will debate this until their blue in the face, but we know better.

This holiday season, I encourage you to focus your efforts on developing your photographic knowledge, not falling in line at the local Best Buy.

Merry Christmas and Happy Holidays!

Wednesday
May042011

Lensbaby, and the Spirit of Unpredictability

 

I feel vulnerable when shooting with the Lensbaby Plastic Optic.  There is a lack of control that I would otherwise have when working with my usual set of lenses.  The focus is soft, the results are unpredictable, and it's nearly impossible to recreate the same look twice.  Truth is, I wholly welcome this awkward space. It's liberating to drop the pursuit of perfection and be open to surprise and experimentation.  After all, shouldn't art be created in the spirit of freedom?

 

 

You may leave me an anonymous comment to proclaim that Lensbabies are a gimmick, or merely write them off as a cheap toy.  Perhaps you are right, but does it really matter?  This morning I created several images with a different tool, and I'm glad to share them.  I would encourage you to try this out for yourself before jumping to conclusions.  The unique combination of you're eye and this nifty little optic may work to produce something the world has never seen before. 

 

 

 

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Saturday
Apr162011

New Video: Mobile Photo Editing with iPad 2 and Camera Connector Kit

 

For $30, the Apple Camera Connection kit turns the iPad 1 or 2 into a mobile workstation for photographers. There are two options to get your images off the camera and into the device. SD cards can conveniently be plugged right into the card reader, while compact flash (CF) users are forced to connect the camera through a USB and the Apple connector. Since my DSLR (Canon 40D) uses the CF format, I had to use the latter process.

Once connected, I turned on the camera and watched as the contents of my shoot at Central Park appeared on the iPad's screen. These were all RAW files (.CR2) and the Ipad had no problem recognizing them. There is an option to import all, or just certain selections. I picked a few of my favorites and watched as they were transferred into the "Photos" library. A dated folder was automatically created for organizational purposes. It was now time to edit using the new Filterstorm Pro app.

I opened the image in Filterstorm Pro and quickly went through a basic edit. While adjusting images with your finger tips is a lot of fun, the capabilities of the program are actually quite sophisticated. Of all the amazing functionality of this app, the most useful part is the ability to apply changes with a mask. For example, instead of adding saturation to the entire image, it can be selectively applied to a certain group of flowers. I was then able to set the color temperature with the White Balance slider, add a slight vignette, and a hint of sharpening. In less than three minutes I had a finished version saved to my photo library. From there I emailed myself a 6mb file, and saved a copy to DropBox.  All of my original images remain on the memory card.

 

 

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Wednesday
Feb162011

Why Image Stabilization is Not Worth it

Manufacturers claim that their version of image stabilization will help you to capture sharper images.  In theory, it should work, but in most real life applications it proves to be rather worthless.  Let's explore several examples from a variety of shooting situations.


Landscapes:  When you are capturing images in low light around sunrise or sunset, exposure times can be several seconds long. IS and VR will not help you here as the camera must remain perfectly still.  A tripod with a cable release is a necessity for this type of shooting.  Most IS/VR lenses recommend the feature be turned OFF when using a tripod.  

Sports: For most sporting events you'll want to freeze the action. This requires a high speed burst mode and a fast shutter speed of 1/500 or better.  If you are using proper hand holding technique or a monopod, camera shake is highly unlikely since the shutter is simply not open long enough. The same is true for bird and wildlife photography.  

Weddings and events: The light will likely be very poor at an indoor event. As such, you'll be working with an external flash, or larger strobe lights. You'll use these in conjunction with the cameras flash sync speed. Depending on your specific camera, this is at least 1/200th of a second. Considering that you'll likely be using a lens in the 24-70mm ballpark, handholding at 1/200 or 1/250 is easily achieved without camera shake.

Macro: When shooting frame filling close ups of tiny subjects, even the tiniest bit of hand shake is greatly magnified.  Here is another example where Image Stabilization and Vibration Reduction is not recommended.  For truly sharp close ups, a solid tripod is required.  

Now, let's take a look at the cost difference.  The Canon 70-200mm f2.8L USM (NON IS) = $1449.  The same lens with Image Stabilization technology = $1999.  It also weighs approximately one pound more.  Can you justify the additional cost of $550 for a rather unnecessary feature?  

In a recent poll of over one hundred photographers ranging from amateur to professional, a surprising number reported to relying on IS/VR technology for the majority of their shooting.  In reviewing the results, it’s not surprising that so many photographers complain about soft images, or lenses that misfocus.  They appear to be using technology as a crutch for poor technique.   
 
  

 

 

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Tuesday
Feb082011

Camera Bags: How I Carry my Gear

The ideal camera bag is one that fits physically, and systematically into your photography. As such, you'll want to give careful thought to how you carry your gear. Since I shoot a wide variety of subject matter, I required a versatile and rugged solution. I also wanted something with a waist strap to take some of the weight burden off my back. Before finding the right bag, my shoulders would ache after long hikes in the woods. Rather than leaving necessary gear at home to shed weight, I started to research photo backpacks. In particular, the Lowepro Mini Trekker AW has enough room to fit a camera body with attached 400mm lens, plus a 70-200mm, a 100mm Macro, a Flash, various filters, batteries, and accessories. It also includes a rain cover for surprise downpours, padded shoulder straps, and a supportive waist strap. Best of all, it qualifies as a carry-on for both domestic and international flights.

Along with the backpack, I use the Lowepro Zoom 2 which is a smaller top loading holster. Since this sits on my hip it's perfect for quickly accessing my primary camera. The attached lens depends on what the most fleeting subject is. For example, if I'm in bear country, the 400mm is attached to the camera in the top loading holster. If an animal suddenly appears I can quickly access it without taking off my backpack and unzipping it as my subject disappears.
I reverse this setup when focusing on landscapes. In these situations I keep my wide angle lens ready while the telephoto is close by in the backpack. In short, the holster is what I work out of, while the backpack allows me to comfortably transport the essentials.

When flying, I never want to check my expensive photo gear for fear that it could be broken or stolen.  This two bag system has made air travel much easier. The backpack is my one carry-on piece of luggage while the holster qualifies as a small personal bag. They both fit under the seat, or in the overhead compartments. 

My tripod is the only piece of photo gear that gets checked.  Since it can be used as a weapon most airlines have policies against bringing then on board as a carry-on. Of course it's an essential piece of gear that can't be left behind. Here's how I transport it:

First, I remove the ball head and pack that in my carry-on photo backpack. Without the ballhead the tripod is a few inches shorter and fits inside a duffle bag. I then pack all of my clothes around the tripod and wrap it with a few sweaters or pants. This extra padding will protect it from being destroyed when it's tossed on and off the luggage belt. Should this bag get lost or stolen, I'll still have all of my camera gear and the clothes on my back.


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Friday
Dec102010

Three Cameras, One Tree

The other night I had a chance to test out three unique pieces of equipment.  To get a real sense of their performance capabilities, I opted to shoot in low light.  As the sun gave way to glowing office lights, I headed over to Rockefeller Center.  Here are the results.

 

 

 

  • The panoramic image above was taken with the Sony DSC-TX9. After learning about this camera at the Photo Expo in October I selected it as one of the Best in Show. A few weeks later I got my hands on a demo model which I'm pretty sure I'm supposed to give back at some point.  While this tiny camera has an impressive list of specs such as HD video, a touch screen, and a 12 megapixel sensor, the one feature that has really captured my attention is the "Sweep Panorama" mode. You just press the shutter and start panning across an expansive scene from left to right. The camera then does all of the stitching for you in mere seconds!  It works surprisingly well, and absolutely deserves a closer look.  I'd be curious to try it on a tripod with a DSLR as well.  You can see the image a bit larger here

  

  • Next I worked with the new HDR mode on the iPhone 4.  It works by exposing for the shadows and highlights and putting the two together images.  Like the Sony above, it does the actual processing in-camera, eliminating the need for post production.  In the photo on the left check out the way the details in the sky are lost, but more data is captured in the shadows.  In the photo on the right, the sky detail is held, but the shadows go dark.  You then get the blended result with details in both the shadow and highlight area.  It's a bit like having a graduated Neutral density filter for your camera phone.  Again, I was surprised at just how well it worked.  

 

 

 

The completed HDR image from iPhone 4 with slight crop.

 

  • I put the pocket sized cameras away and took out my trusty DSLR.  It was the lens selection that made things interesting.  This was shot using the Lensbaby Composer and Fisheye lens.  At 12mm, it really creates that distorted look with curved lines, and stretched buildings.  Although I don't work with this lens very often, it's a lot of fun to see the results.  It's so wide you actually have to be careful not to include your feet in the photo.  

 

 

While none of these products are without flaws, they are remarkable advancements, particularly the in-camera features of the Sony Sweep Panorama, and iPhone HDR.  Although they won't be used everyday, they each fulfill a unique need which makes them a nice addition to a camera bag.  

 

 

For more holiday fun, check out the Christmas Tree Lighting Video here,

and holiday lights with long exposure here

Tuesday
Nov022010

Report from the 2010 Photo Plus Expo

 

From my vantage point, the 2010 Photo Plus Expo was a success.  The place was absolutely packed with photographers from all over the world.  Meanwhile, BMX riders soared through the air as they pulled off major aerial stunts on the indoor ramp.  Fashion models posed under perfect lighting setups, and several well known photographers gave short lectures about their specialty.  Of course the main reason for the show is for vendors to exhibit their products.  These items ranged from inexpensive camera straps, to 800mm super telephoto lenses that come with their own mortgage payment.  I checked out over 200 interesting pieces of gear.  With so much to see, it's really easy to walk around in circles completely overwhelmed.  My goal was to find seven products I thought were interesting, and/or useful, and feature them in a short video for NYIP.  Perhaps there's something in it that you'll find helpful.  Thanks for watching!

 

 

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Tuesday
Sep072010

Versatile Wireless Flash System for Under $1000

If you are considering investing in a wireless flash system, here is a list of gear to help get you started.  This is a versatile one light setup that's effective for a large array of assignments.  I've used this with an umbrella for portraits, and without it for interiors, and nature photography. While this list is for Canon systems, I expect the Nikon compatible Pocket Wizards to be available soon. 

 

1) Pocket Wizard Transceiver for Canon 

B&H # WIFTT5C

$229

With this particular pairing (#1 and 2), you can take advantage of Canon's ETTL system wirelessly.  This can be a major convenience over Manual flash.  Just set the Transceiver to the same channel as the Transmitter (see #2), and your flash will fire every time you press the camera's shutter.  This piece has a ¼ inch thread so it can be mounted on any standard light stand.  The flash is then attached to the hotshoe on top. 



2) Pocket Wizard Transmitter for Canon

B&H # WIMTT1C

$199

This piece slides into the hotshoe on your camera.  It's controlled by a radio frequency so it can fire the flash from just about anywhere. 



3) IMPACT Light Stands

B&H # IMLS6BQ

$19.99

These aren't the fanciest stands, but they do the job well.  If you're using them outdoors add some weight to the bottom so it doesn't blow over. 


 

 4) Medialight Universal Umbrella Bracket 

B&H # MEPGSH

$16.95

This gadget holds your photo umbrella so you can create a soft, diffused quality of light for portrait subjects.  


 

5) Stroboframe Flash Mount Adapter 

B&H # STFMS

$12.95  

This small piece will be mounted on top of the Umbrella Bracket (see #4)  

 6) White Shoot Through Umbrella 33”

B&H # IMU33T

$9.95

By shooting through a white umbrella, it's easy to create nice big catchlights in your subject's eyes.

 


 7) Canon 580 EXII Flash  

B&H # CA580EX2

$445.00

By far, the best flash I've ever used.  It has incredibly fast recycle times, and provides enough light to handle most photographic situations. 

 


 

TOTAL = $932.84

 

 

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Monday
Jun072010

iPhone Buzz

Of all the new technology added to the next iPhone, perhaps the most exciting addition is the HD video camera and iMovie app.  For five bucks, this app will allow you to edit HD movies on the road with similar functionality to the desktop version!  Once you've completed your movie, you can upload it to the web at various sizes.  With this amazing functionality, I'm wondering if I'll ever need my Flip video again?  The still camera will have 5 megapixels and a flash.  Supposedly it will be available in late June.  In the meantime, here are some recent shots taken with now ancient iPhone 3G and it's 2 megapixel camera.

 

Escalator in New York City

 

Cubism

 

The Metro in Washington DC

 

T-Rex in DC

 

 

Rainbow colored happy face created by the sun streaming in a window

 

For more technical specs of the iPhone 4, check here: http://gizmodo.com/5557101/iphone-4-the-definitive-guide

 

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Tuesday
Apr062010

Finding the Perfect Tripod

Years ago, I seemed to break a tripod every six months. They were the $75-$100 aluminum models that the camera store assured me would last.  After spending about $400 on these supposed "bargains", I decided it was time to invest in a really good set of legs.  Of course this meant a great deal of research needed to be done.  These were the details I studied before selecting the right tripod for me.  

What Type Should I Look For?

There are two basic tripods to consider.  The first is the pan and tilt.  These were the ones I always broke.  In addition, I found their range of motion to be limited, and awkward.  The alternative is to buy a set of legs, and then pick up a ball head separately.  This is more expensive, but in my experience, a much wiser long term investment.  Later in the post I'll list a few great ball heads.

  

What Are They Made Of?

You can choose between Carbon Fiber, Aluminum, or a Carbon Fiber Aluminum mix.  Carbon Fiber is much lighter and easier to hike with.  Since they weigh less than 4.5 pounds, you'll be more likely to take it with you instead of leaving it home.  Also, Carbon Fiber doesn't get as painfully cold as Aluminum.  Anyone who shoots in cold weather climates will appreciate this comfort.    

How Tall Can It Go Without Extending The Center Column?

It can be very uncomfortable to look through your viewfinder while hunched over for long periods of time.  I recommend finding a tripod that extends to about your nose without extending the center column.  Once the ball head and camera are attached, it will be the perfect height.  While a center column will provide more height, you lose stability as it is raised from the base of the tripod. 

How Low Can It Get To The Ground? 

When you are photographing landscapes, flowers, insects, you may want to get down to the ground for a unique perspective.  To do this, you will need to check the minimum height of the tripod.  Ideally you should be able to bring it down to about five inches from the ground.  There are a few different ways to achieve this perspective.  Some tripods have an adjustable, or reversible center column.  Others have no center column at all.  Again, for stability purposes, I prefer no center column.

What Kind Of Leg Locks Are Better?

You can go for the twisting locks, or the snaps.  The snaps are faster, but they do tend to get loose and break over time.  The twists take a while to get used to, but are built to last.


How Much Weight Can It Support?

This is a very important consideration for those who use fast telephoto lenses, or anything over 300mm.  If your camera, 400mm lens, and ball head weigh five pounds each, your tripod needs to support at least fifteen pounds.  Even if you don't currently use a super telephoto, you may decide to rent or buy one in the future.  At a minimum, look for your tripod to have a "load capacity" of fifteen pounds.  If you regularly use longer glass, then I'd recommend something that can hold twenty to twenty five pounds.

How Small Can It Fold Up?

Look for a tripod with a folded length of 26.5 inches or less.  This will be small enough to check in a medium sized duffle bag for both international and domestic flights.  Tripods with four leg sections are normally a bit smaller than three section models.  However, three sections are not only much faster to set up, but they are more sturdy.    

 Before moving on to the Ball Heads, here is a summary of the key elements above;

Type: Pan and Tilt or Ballhead - Advantage Ball Head

Material: Aluminum or Carbon Fiber - Advantage Carbon Fiber

Maximum Height:  Should reach your nose without the Center Column extended

Center Column: Reversible, or No Center Column - Advantage No Center Column

Minimum Height: Ideally able to be five inches from the ground.

Legs: Twist or Snap - Advantage Twist

Load Capacity: Should support 15-25 pounds depending on lenses you use.

Folded Length: Look for 26.5 inches or less.

Leg Sections: Three or Four - Advantage Three Sections

 

Finding the Right Ball Head

After deciding on a solid tripod, the next step is to determine which ball head is right for you.  The beauty of a ball head is the ability point the camera in any direction quickly and securely.  You can also pan, and swivel making it a very versatile tool.  I strongly recommend staying away from the deals that offer the tripod legs and ball head together.   Some of these kits are OK, but you will get much better performance out of a quality third party ball head.  Here are a few specific models to check into;

Kirk BH-3

Weighing in at nineteen ounces, the Kirk BH-3 can support up to fifteen pounds.  This is an excellent choice for telephoto lenses up to an 80-400mm f5.6.  For heavier, faster lenses, you will need to consider a bigger model.

Arca Swiss Z1

At just under $400, this is one of the most expensive, but smoothest ball heads available. It's been reported to hold well over one hundred pounds.  This is a rock solid platform for your camera and super telephoto lens. 

Kirk BH-1

The big brother to the BH-3.  This model can support up to fifty pounds making it ideal for super telephoto lenses with fast apertures like a 500mm f4. 

As you can see, ball heads are not inexpensive, but they will abolutely make it easier to achieve an endless array of camera positions.  For those who will be flying with their tripod, take the ball head off and keep it in your carry on bag.  This will make it easier to fit the tripod into your duffle bag, and prevent the ball head from getting  jostled and possibly damaged during transport.

So, What Model Did I Choose?

For the past six years I've been using the Gitzo 1325 (now discontinued) and a Kirk BH-3 ball head.  While these products have worked very well for me, I strongly encourage you to study the information above to help find the best solution for your specific needs.  

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